#PRINCE OF PERSIA 3D DEVELOPMENT ARTWORK SKIN#
#PRINCE OF PERSIA 3D DEVELOPMENT ARTWORK WINDOWS#

Cinesite augmented weapons to include 3D swords, daggers and whips, with some re-speeds done in Motion Analyser. Mat Kasmir, our 2D lead, did a great job re-sculpting the shots to give them an authentic look.вЂќДastan battles the Hassansins, a group of evil warriors, in a sequence at the Hidden Valley and Temple of Water. The studio lighting just didnвЂ™t have enough depth. In fact, that was the challenge we encountered when the shoot was over and we had to match studio shots with locations shots. The mountains were blue in the shade and red in the sunlight. You have to experience the light and atmosphere of Morocco (where exteriors were shot) to get the best out of your scenes.

вЂњOnly about a third of the city was real,вЂќ continued Rowe, вЂњbut it was definitely worth shooting in the location.

#PRINCE OF PERSIA 3D DEVELOPMENT ARTWORK WINDOWS#

вЂњCombine this with a selection of doors and windows and you have infinite variety for your 3D.вЂќ вЂњLike Lego building blocks, we had a number of bases, a number of towers, and some domes and minarets of various sizes,вЂќ said Rowe.

#PRINCE OF PERSIA 3D DEVELOPMENT ARTWORK SKIN#

These were then tracked onto the actorsвЂ™ skin using our in-house software Motion Analyser, which basically sticks the new skin on top of the old skin вЂ“В like a digital skin graft.вЂќ A similar approach was used for the death of King Sharaman (Ronald Pickup), who is poisoned by snake venom, using a combination of 3D veins and skin graft, with smoke done in Maya Fluids.ДЄ chase sequence in the city of Avrat involved 3D set extensions, overseen by ArtemisВ Oikonomopoulou, with added 3D arrows, 2D arrows, matte paintings, face replacements, wire and rig removals and the addition of general atmosphere вЂ“ a typical approach to CinesiteвЂ™s city work, which also involved work for shots of a young Dastan being chased through Nasaf. We added darkened eye lashes and thickened hair, and removed wrinkles and age spots. вЂњWe cast two youth doubles who stood in straight after the take with the original actors so we could take high-res digital stills in the same lighting conditions. вЂњItвЂ™s a 2D effect but it relies on good data being gathered during the shoot,вЂќ explained Cinesite visual effects supervisor Sue Rowe. For flashback shots featuring Nizam (Ben Kingsley), Cinesite showed the director a proof-of-concept to de-age the actor 30 years younger.

Prince of Persia is released on DVD and Blu-Ray Sept 14th Buy it here from Amazon & this helps support fxguide Cinesite youthens Kings, adds to cities Plate Photography Final shotД¬inesiteвЂ™s key shots вЂ“ 285 of which are in the film вЂ“ included youthening effects, digital city extensions, a Hassansin attack sequence and a digital lioness. We look at a few of the major effects sequences by Cinesite, MPC, Framestore and Double Negative, & the previs work by Nvizage. In Mike NewellвЂ™s Prince of Persia: The Sands of Time (out soon on Blu-Ray &DVD), rogue Prince Dastan (Jake Gyllenhaal) safeguards a magical and sought-after dagger that can reverse time.

Prince of persia 3d development artwork